Short Stories · Section 16
Stephen Foster - American songwriter
Before radio and television, movies and recordings, entertainment was often a family or community matter.
Level: B2 · 54 sentences
Transcript
- Before radio and television, movies and recordings, entertainment was often a family or community matter.
- Someone in the family could play a musical instrument, or a neighborhood musician would play for small gatherings.
- In addition, there would be travelling groups of musicians, actors and clowns who would go from town to town.
- In nineteenth century United States, one of the most popular forms of entertainment was the minstrel show.
- Black slavery was still permitted in the southern states until 1865.
- Even after that date, the lives of many blacks working on large farms or plantations did not change much.
- They did hard physical labor in the fields, had little control over their lives, and very little time to relax with their friends.
- Foster, who was born in 1826, made this situation the background for many of his songs.
- White musicians would try to imagine the feelings of black men and women working on the plantations.
- They would write songs in the dialect or speech patterns that they thought black slaves used.
- In these songs, the black people would be talking about their hardships, falling in love, playing music and dancing,
- and finally growing old and dying.
- White performers would blacken their faces and sing these songs to white audiences.
- They would play musical instruments, like the banjo - a small four-stringed guitar, which black people played often.
- As a small boy, Stephen Foster had sometimes been taken to a black church by his family's black servant, Olivia Pise.
- Here he first heard the melodies that inspired his own songs.
- Only a couple of Foster's songs are based directly on "Negro spirituals",
- but many of his songs have the natural simplicity and emotional power of folk songs.
- The youngest member of a large family, Foster showed his musical talent at an early age.
- He played the flute, violin, and piano.
- Growing up in an energetic business family, Stephen was expected to become a businessman.
- And, for a while, he worked as a bookkeeper.
- All his spare time, however, was spent writing songs.
- Foster attended minstrel shows and tried to get the performers to sing his songs.
- Sometimes the performers would steal his songs and publish them under their own names.
- Copyright laws were weak and rarely enforced,
- so some music publishers would just go ahead and publish a song without paying the songwriter.
- Since Foster hoped to make a living as a songwriter, this was a problem.
- Foster's first hit song was "Oh! Susanna" published in 1848.
- It became popular with the thousands of men from all over the United States
- who were heading west to the Californian gold-rush of 1849.
- Unfortunately, as an unknown songwriter, Foster received no money from his early songs.
- He seemed to have given them outright to the music publishers, just to establish his reputation.
- Foster's name, however, was soon widely known,
- and in 1849 he was able to afford to give up bookkeeping,
- and marry the daughter of a Pittsburgh physician.
- During the next five years, he earned a moderately good income from songwriting.
- In 1851, a daughter Marion was born.
- Foster wrote many of his best-known songs at this time: "Old Folks at Home" in 1851;
- "My Old Kentucky Home" in 1853,
- and "Jeanie With the Light Brown Hair" in 1854.
- Difficulties in Foster's marriage began fairly soon.
- These may have been partly due to his strange work habits.
- He spent days locked in his room working on his songs.
- Then he would rush out with his materials to the local music store,
- presumably to test out the songs on his friends.
- He also became more and more addicted to alcohol.
- Eventually, his wife and daughter left him.
- Foster died alone in a rooming house in 1864.
- Immigrants to the United States brought their traditional folk songs with them.
- However, there were very few typically American songs.
- Foster provided many songs that expressed the life of nineteenth century U.S.A.
- His songs were easy to sing, and were popular with nearly everyone.
- In a sense, Foster helped to create roots for American popular music.